Daniel Gordon holds a BA from Bard College and an MFA from Yale School of Art. Recent solo exhibitions include: Night Pictures, James Fuentes, New York, NY (2020), Au Bon Marché, One Star Press, Paris (2019), Lemons, One Star Press, Paris (2018), Blue Room, James Fuentes, New York (2018), Selective Color, M+B, Los Angeles (2017), New Canvas, James Fuentes, New York (2017), Hand, Select & Invert Layer, Bolte Lang, Zürich (2016), Switzerland; Shadows, Patterns, Pears, Foam Museum, Amsterdam, NL (2014); and Screen Selections and Still Lifes, Wallspace, New York, NY (2014). He has participated in several museum group exhibitions, including Cut! Paper Play in Contemporary Photography, J. Paul Getty Museum, Los Angeles, CA (2018), Secondhand, Pier 24, San Francisco, CA (2016) Greater New York, MoMA P.S. 1, Queens, NY (2010) New Photography Series, Museum of Modern Art, New York, NY (2009). He is the author of Houseplants (Aperture, 2020), Spaces, Faces, Tables and Legs (OSP, 2018), Intermissions (OSP,2017), Still Life with Onions and Mackerel (OSP, 2014), and Still Lifes, Portraits, and Parts (Mörel, 2013), Flowers and Shadows (Onestar Press, 2011) and Flying Pictures (powerHouse Books, 2009). Gordons work has also been highlighted in several international publications including: The New York Times, The New Yorker, Art Review, Frieze, Architectural Digest, New York Magazine, W Magazine, Art in America, Modern Painters, PHOTONEWS, Dazed & Confused, Art in America, and Flash Art. His work resides in the collections of the Museum of Modern Art, New York, The Guggenheim, New York, Pier 24, San Francisco, Foam Museum, Amsterdam, and the VandenBroek Foundation, Lisse, NL. He is the co-director of Downstairs Projects in Brooklyn where lives and works.